| Opus 89 | Concertina (1999) |
| for violin,piano and squeezebox | |
| A continuous work which explores folding movements among other dance themes. There is a colourful variety of music, ranging from the mysterious and dark opening section, to the obsessive gig towards the end. | |
| Available from the composer |
| Opus 89b | Dance Suite (1999) |
| for violin and piano | |
| This work is re-arranged from the dance work 'Concertina' (opus 89) written for Dan Belton. It is in six movements: slow dance, quick dance, whales, sad dance, scherzo, gig. A lively and varied collection of pieces, suited to professional performers. | |
| Available from the composer |
| Opus 133a | Meditation for violin and piano (2008) |
| for orchestra | |
| Takes an ancient Chinese poem as its inspiration. Creates a simple calm sound world. | |
| Available from the composer |
| Opus 87 | Memories of Budapest (1998) |
| Sextet for violins, violas, cello and horn | |
| A very active and exciting centre section framed by two slow and reflective sections, evoking sound pictures from the composer's stay in the Hungarian capital. Written for professional performers. | |
| Available from the composer |
| Opus 100 | Piano Trio (2001) |
| for violin, cello and piano | |
| This work was a finalist in the SOUNZ Contemporary Award for 2001, and signals a new direction in the composer's style, using 12-tone rows for the first time since student works.The Piano Trio is in three movements. | |
| Available from the composer |
| Opus 83 | Rhapsody (1998) |
| for violin and piano | |
| This vivid and exciting piece is based around a 'khosid dance' from Transylvannia. Both violin and piano parts are demanding. | |
| published by Promethean Editions |
| Opus 80 | Shoal Dance (1997) |
| for 2 violins | |
| A richly varied collection of pieces for solo violin, and also violin duos, composed for choregrapher Dan Belton. | |
| Available from the composer |
| Opus 1 | Sonata for solo violin |
| for solo violin | |
| Youthful and ambitious work shows influences of Bartok and Shostakovich, and includes a finale based on a 12-note row. | |
| Available from the composer |
| Opus 120 | Song for Minstrel (2005) |
| for violin and piano | |
| Wistful and lyrical piece for violin and piano | |
| Available from the composer |
| Opus 45a | Tuatara (1990) |
| for violin and piano | |
| For professional players to perform to children. | |
| Available from the composer |
| Opus 20 | Violin Sonata (1986) |
| for violin and piano | |
| In three movements, this sonata is expansive and quite demanding for both instruments. It is full of driving rhythms and rich textures. | |
| Available from the composer |