| Opus 124 | Clarinet Quintet (2006) |
| for clarinet and string quartet | |
| A substantial work in three movements - a lively and energetic first movement - a brooding slow movement - and a restless uneasy finale. | |
| Available from the composer |
| Opus 8 | Concertino for Piano and Strings (1982) |
| for piano and string orchestra | |
| An early work, exhibiting the influence of Shostakovich and Bartok. Approachable for both players and audience. | |
| published by Waiteata Press |
| Opus 132 | Fours into Twelve (2007) |
| for four double basses | |
| Available from the composer |
| Opus 129 | Octopus (2007) |
| for octet | |
| An octet using the same combination as the Schubert Octet and in one continuous movement. Evocative sound colours within the ensemble depict the life cycle of the octopus. | |
| Available from the composer |
| Opus 116 | Oppositions (2005) |
| for piano quartet | |
| Angular, exciting piece in one movement. Musical themes jostle for supremacy. | |
| Available from the composer |
| Opus 121 | Rites of Passage (2005) |
| for bassoon and string quartet | |
| A lively and challenging piece for an unusual combination, well received on its inaugural tour for Chamber Music NZ | |
| Available from the composer |
| Opus 14 | String Quartet (1983-4) |
| for string quartet | |
| Avant garde in style, it explores relationships among people in music, and is technically demanding. | |
| Available from the composer |
| Opus 105 | String Quartet No 2 (2003) |
| for string quartet | |
| This work is in four movements and is designed for professional players. | |
| Available from the composer |
| Opus 133b | Theme and Variations for cellos (2007) |
| for orchestra | |
| Scored for 6 to 8 cellos and makes a good companion piece for Bachianas Brasilieras No. 5 by Villa-Lobos | |
| Available from the composer |
| Opus 4 | Three Pieces for Strings (1980) |
| for string orchestra | |
| Strongly astringent short pieces, featuring an expressive passacaglia based on a 12-note row. | |
| Available from the composer |
| Opus 130 | Transylvanian Dances (2007) |
| for string quartet | |
| Based on a transcription of two Hungarian Jewish folk tunes combined to make a lively short concert item. | |
| Available from the composer |
| Opus 71 | Whakatipua (1995-6) |
| for string quartet | |
| An approachable and evocative work, based on the landscape around Queenstown in NZ. This piece was written for a birthday celebration. | |
| Available from the composer |
| Opus 128 | Whalesong (2006) |
| for double bass and orchestra | |
| A ten minute mini-concerto based on the song of the humpback whale. | |
| Available from the composer |