| Opus 101 | 24 Preludes (2002) |
| These 24 Preludes for piano represent a new direction for the composer, and are challenging to play. They cover a wide variety of moods and characters, paying homage in places to Bach, Chopin, Debussy and Shostakovich. | |
| Available from the composer |
| Opus 38 | Ashburn Fragments (1989) |
| for piano | |
| A work in four movements, Ashburn Fragments is intense and obsessive in tone, requiring a professional pianist. | |
| Available from the composer |
| Opus 45b | Birds and a Steam Train in the Catlins (1991) |
| This short piece was inspired by a journey through the Catlins area, south of Dunedin, mixing bird call with the imagined presence of a steam train. | |
| published by The Centre for NZ Music, in the volume entitled '1st 15: A Selection of Piano Music by NZ Composers', 1996 |
| Opus 94 | Caroline Bay Suite (1999) |
| for piano | |
| Simple pieces describing memories of Caroline Bay in Timaru. | |
| Available from Bellbird Publications |
| Opus 50 | Children and Adults (1992) |
| for mezzo-soprano, clarinet & piano | |
| These songs explore the lives of children and adults, looking at their different ways of viewing things. They are quite approachable, and use elements of popular music. | |
| Available from the composer |
| Opus 89b | Dance Suite (1999) |
| for violin and piano | |
| This work is re-arranged from the dance work 'Concertina' (opus 89) written for Dan Belton. It is in six movements: slow dance, quick dance, whales, sad dance, scherzo, gig. A lively and varied collection of pieces, suited to professional performers. | |
| Available from the composer |
| Opus 119 | Flipside (2005) |
| for piano duet (4 hands, 1 piano) | |
| Two contrasting and colourful pieces aimed at about grade 8 level. | |
| Available from the composer |
| Opus 135 | Flute Sonata (2008) |
| for flute and piano | |
| A sonata in 3 movements that captures many different characters of the flute and is accompanied by an exciting piano part. | |
| Available from the composer |
| Opus 84 | Leaf (1998) |
| for piano | |
| A reflective series of pieces for piano, including a sad waltz, composed for choreography by Dan Belton. | |
| Available from the composer |
| Opus 26 | Little Quartet (1987) |
| for flute, clarinet, viola & piano | |
| After a dark and brooding opening, this piece develops into a lively and quirky exploration of an unusual instrumental combination. | |
| Available from the composer |
| Opus 133a | Meditation for violin and piano (2008) |
| for orchestra | |
| Takes an ancient Chinese poem as its inspiration. Creates a simple calm sound world. | |
| Available from the composer |
| Opus 33 | Music for Tristan (1988) |
| for piano | |
| This piece describes feelings of being a first-time parent, and has a variety of contrasting ideas. There are tender, lyrical moments mixed with very active and lively passages, requiring a high standard of playing. | |
| Available from Bellbird Publications |
| Opus 21 | Night-piece (1986) |
| for piano | |
| This continous piano work is dream-like and colourful in atmosphere, and combines styles and textures in an eclectic manner. Suitable for a professional pianist. | |
| Available from the composer |
| Opus 30 | Olveston Suite (1988) |
| for piano | |
| These short pieces were composed for a concert in Olveston House, Dunedin, and describe different rooms in the historic home. They are evocative and designed for about grade 8 level. | |
| Available from Bellbird Publications |
| Opus 126 | Peninsula Suite (2006) |
| for solo piano | |
| Six pieces for young performers on the theme of local wildlife, aimed at grades 4-5 | |
| Available from Bellbird Publications |
| Opus 136 | Piano Concerto No. 3 (2008) |
| for piano and orchestra | |
| A sunny and life affirming work with an emphasis on expression and colour rather than virtuosity. | |
| Available from the composer |
| Opus 29 | Piano Sonata 1988 (1988) |
| for piano | |
| This is a substantial sonata, written for the professional pianist. It is rhythmically challenging, lively, and also contains a haunting slow movement. | |
| Available from the composer |
| Opus 100 | Piano Trio (2001) |
| for violin, cello and piano | |
| This work was a finalist in the SOUNZ Contemporary Award for 2001, and signals a new direction in the composer's style, using 12-tone rows for the first time since student works.The Piano Trio is in three movements. | |
| Available from the composer |
| Opus 6 | Poems of Spring (1981) |
| for piano | |
| Range in mood from energetic and escatic, to melencholic, and display influences of Bartok and Prokofiev. | |
| published by Promethean Editions |
| Opus 83 | Rhapsody (1998) |
| for violin and piano | |
| This vivid and exciting piece is based around a 'khosid dance' from Transylvannia. Both violin and piano parts are demanding. | |
| published by Promethean Editions |
| Opus 137d | The Organist and the Rhododendron (2008) |
| for any keyboard instrument | |
| A reflective piece. | |
| Available from the composer |
| Opus 31 | Trio for Clarinet, Cello and Piano (1988) |
| for clarinet, cello and piano | |
| An intense work, with a restless first movement, a brooding second movement, and a fleeting and mellow finale. It does not make excessive demands on the players. | |
| Available from the composer |
| Opus 45a | Tuatara (1990) |
| for violin and piano | |
| For professional players to perform to children. | |
| Available from the composer |
| Opus 20 | Violin Sonata (1986) |
| for violin and piano | |
| In three movements, this sonata is expansive and quite demanding for both instruments. It is full of driving rhythms and rich textures. | |
| Available from the composer |
| Opus 140 | Words are my Notes (2008) |
| for mezzo soprano, viola and piano | |
| This cycle is a setting of four poems by Christopher Marshall which explore the nature of words and their use in human relationships. | |
| Available from the composer |