| Opus 113 | Belle Doette (2004) |
| for soprano and oboe | |
| Belle Doette is based on a 12th century chanson. The oboe part freely develops motifs introduced by the soprano. | |
| Available from the composer |
| Opus 53 | Brass Quintet (1992) |
| for trumpets, horn, trombone, tuba | |
| This work contains a variety of moods and styles, from the quiet and calm slow movement, to the gritty and strong variations of the theme 'Down in the Brunner Mine'. For a professional group. | |
| Available from the composer |
| Opus 124 | Clarinet Quintet (2006) |
| for clarinet and string quartet | |
| A substantial work in three movements - a lively and energetic first movement - a brooding slow movement - and a restless uneasy finale. | |
| Available from the composer |
| Opus 89b | Dance Suite (1999) |
| for violin and piano | |
| This work is re-arranged from the dance work 'Concertina' (opus 89) written for Dan Belton. It is in six movements: slow dance, quick dance, whales, sad dance, scherzo, gig. A lively and varied collection of pieces, suited to professional performers. | |
| Available from the composer |
| Opus 135 | Flute Sonata (2008) |
| for flute and piano | |
| A sonata in 3 movements that captures many different characters of the flute and is accompanied by an exciting piano part. | |
| Available from the composer |
| Opus 106 | Four Bagatelles for Percussion and Viola (2003) |
| for percussion and viola | |
| This work consists of four short pieces in contrasting moods, for professional performers | |
| Available from the composer |
| Opus 26 | Little Quartet (1987) |
| for flute, clarinet, viola & piano | |
| After a dark and brooding opening, this piece develops into a lively and quirky exploration of an unusual instrumental combination. | |
| Available from the composer |
| Opus 112 | Meditation (2004) |
| for viola and piano | |
| A simple, lyrical piece written for my wife and first performed on our wedding day. | |
| Available from the composer |
| Opus 133a | Meditation for violin and piano (2008) |
| for orchestra | |
| Takes an ancient Chinese poem as its inspiration. Creates a simple calm sound world. | |
| Available from the composer |
| Opus 87 | Memories of Budapest (1998) |
| Sextet for violins, violas, cello and horn | |
| A very active and exciting centre section framed by two slow and reflective sections, evoking sound pictures from the composer's stay in the Hungarian capital. Written for professional performers. | |
| Available from the composer |
| Opus 139 | Nocturne and Sunrise (2008) |
| for flute, viola and guitar | |
| A colourful work in three sections and describes the progression from night through to early morning. | |
| Available from the composer |
| Opus 129 | Octopus (2007) |
| for octet | |
| An octet using the same combination as the Schubert Octet and in one continuous movement. Evocative sound colours within the ensemble depict the life cycle of the octopus. | |
| Available from the composer |
| Opus 116 | Oppositions (2005) |
| for piano quartet | |
| Angular, exciting piece in one movement. Musical themes jostle for supremacy. | |
| Available from the composer |
| Opus 51a | Pas de Deux (1992) |
| for two guitars | |
| This is a substantial work in five sections which explores the many different textures and colours available from the combination of two guitars. | |
| Available from the composer |
| Opus 100 | Piano Trio (2001) |
| for violin, cello and piano | |
| This work was a finalist in the SOUNZ Contemporary Award for 2001, and signals a new direction in the composer's style, using 12-tone rows for the first time since student works.The Piano Trio is in three movements. | |
| Available from the composer |
| Opus 83 | Rhapsody (1998) |
| for violin and piano | |
| This vivid and exciting piece is based around a 'khosid dance' from Transylvannia. Both violin and piano parts are demanding. | |
| published by Promethean Editions |
| Opus 121 | Rites of Passage (2005) |
| for bassoon and string quartet | |
| A lively and challenging piece for an unusual combination, well received on its inaugural tour for Chamber Music NZ | |
| Available from the composer |
| Opus 120 | Song for Minstrel (2005) |
| for violin and piano | |
| Wistful and lyrical piece for violin and piano | |
| Available from the composer |
| Opus 14 | String Quartet (1983-4) |
| for string quartet | |
| Avant garde in style, it explores relationships among people in music, and is technically demanding. | |
| Available from the composer |
| Opus 105 | String Quartet No 2 (2003) |
| for string quartet | |
| This work is in four movements and is designed for professional players. | |
| Available from the composer |
| Opus 90 | The Blue Sonata (1998-9) |
| for cello and piano | |
| A substantial work for cello and piano, which explores a range of emotions and moods. For professional players. | |
| Available from the composer |
| Opus 133b | Theme and Variations for cellos (2007) |
| for orchestra | |
| Scored for 6 to 8 cellos and makes a good companion piece for Bachianas Brasilieras No. 5 by Villa-Lobos | |
| Available from the composer |
| Opus 118 | Three Pieces for Viola and Guitar (2005) |
| for female voices, horn and piano | |
| Three lyrical pieces with a relatively simple guitar part. | |
| Available from the composer |
| Opus 130 | Transylvanian Dances (2007) |
| for string quartet | |
| Based on a transcription of two Hungarian Jewish folk tunes combined to make a lively short concert item. | |
| Available from the composer |
| Opus 31 | Trio for Clarinet, Cello and Piano (1988) |
| for clarinet, cello and piano | |
| An intense work, with a restless first movement, a brooding second movement, and a fleeting and mellow finale. It does not make excessive demands on the players. | |
| Available from the composer |
| Opus 45a | Tuatara (1990) |
| for violin and piano | |
| For professional players to perform to children. | |
| Available from the composer |
| Opus 123 | Two Pieces for Flute and Bass Clarinet (2006) |
| for flute and bass clarinet | |
| Two contrasting pieces, one melancholy the other energetic and dynamic. | |
| Available from the composer |
| Opus 64c | Viola Sonata (1994-5) |
| for viola and piano | |
| Piano reduction of orchestral score. A personal and substantial work in 4 movements covering a range of moods. | |
| published by Bellbird Publications |
| Opus 20 | Violin Sonata (1986) |
| for violin and piano | |
| In three movements, this sonata is expansive and quite demanding for both instruments. It is full of driving rhythms and rich textures. | |
| Available from the composer |
| Opus 71 | Whakatipua (1995-6) |
| for string quartet | |
| An approachable and evocative work, based on the landscape around Queenstown in NZ. This piece was written for a birthday celebration. | |
| Available from the composer |
| Opus 140 | Words are my Notes (2008) |
| for mezzo soprano, viola and piano | |
| This cycle is a setting of four poems by Christopher Marshall which explore the nature of words and their use in human relationships. | |
| Available from the composer |