| Opus 90b | Dedication (1996) |
| for cello | |
| A challenging cello solo which encompasses a variety of moods. It was composed for a friend's wedding, for performer Euan Murdoch. | |
| Available from the composer |
| Opus 93 | Double Concerto for Bass Clarinet and Cello (1999) |
| for bass clarinet, cello and orchestra | |
| The slow movements explore issues of life and death, while the two quick movements provide an energetic and bright contrast. The wide range of both solo instruments is explored. | |
| Available from the composer |
| Opus 87 | Memories of Budapest (1998) |
| Sextet for violins, violas, cello and horn | |
| A very active and exciting centre section framed by two slow and reflective sections, evoking sound pictures from the composer's stay in the Hungarian capital. Written for professional performers. | |
| Available from the composer |
| Opus 100 | Piano Trio (2001) |
| for violin, cello and piano | |
| This work was a finalist in the SOUNZ Contemporary Award for 2001, and signals a new direction in the composer's style, using 12-tone rows for the first time since student works.The Piano Trio is in three movements. | |
| Available from the composer |
| Opus 90 | The Blue Sonata (1998-9) |
| for cello and piano | |
| A substantial work for cello and piano, which explores a range of emotions and moods. For professional players. | |
| Available from the composer |
| Opus 133b | Theme and Variations for cellos (2007) |
| for orchestra | |
| Scored for 6 to 8 cellos and makes a good companion piece for Bachianas Brasilieras No. 5 by Villa-Lobos | |
| Available from the composer |
| Opus 31 | Trio for Clarinet, Cello and Piano (1988) |
| for clarinet, cello and piano | |
| An intense work, with a restless first movement, a brooding second movement, and a fleeting and mellow finale. It does not make excessive demands on the players. | |
| Available from the composer |